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The national tour of SIX will launch a daily digital ticket lottery for its engagement at North Charleston Performing Arts Center. Any ticket listed for a particular event will be on sale all the way to the last minute. For a small premium price, you can have tickets emailed directly to you after purchase so you can download it and show the barcode at the Winspear Opera House door for entry. The Grand Portico, radiating from the opera house on all sides, provides shade over 3 acres (12,000 m2) of the Performance Park. The solar canopy's louvers are arranged at fixed angles following the path of the sun. By eliminating most direct sunlight on the façade and by creating a cooler microclimate around the building, the canopy significantly reduce the energy requirements of the Winspear Opera House.
Just Announced: Broadway at the Center 2024-2025 Season
The AT&T Performing Arts Center’s mission is to provide a public gathering place that strengthens community and fosters creativity through the presentation of performing arts and arts education programs. The opera house is named for the late Margot and Bill Winspear, who in their lifetimes were devoted supporters of the opera art form and The Dallas Opera. Their generous gift helped enable the construction of the AT&T Performing Arts Center.
Winspear Opera House Seating Chart
The detail and finishes improve the resonance of the human voice, making the orchestra sound rich but clear. To heighten the sense of drama, there is a chandelier creating an inverted cone of light and produced from an assembly of 320 acrylic rods that ascends into the ceiling of the auditorium at the beginning of the performance. To complete the auditorium, the distinguished Argentinean artist Guillermo Quintero has designed a mesmerising curtain for the stage.
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Also inside the Winspear Opera House is Nancy B. Hamon Hall, an intimate 200-seat performance space that beautifully hosts a variety of programming; and the PNC Members Lounge, exclusively for patrons at specific membership levels. The Margot and Bill Winspear Opera House welcomes audiences to enjoy world-class performances in a stunning facility without having to travel far from home. Truly a jewel in the Dallas landscape and a striking testament to excellence in design, the Winspear is home to bucket-list moments for patrons of all kinds.
When Covid struck and performances were canceled abruptly, Meachem was one of the first classical musicians to live stream a recital from the opera stage, just days after lockdown on March 23, 2020. In a recent profile with Opera News, Meachem revealed that, in March 2020, he felt at loose ends. With debut performances of Rodrigo in Don Carlos at Dallas Opera indefinitely postponed, he and his wife, pianist Irina Meachem, arranged a live-streamed program from the Winspear Opera House.

He returns in February 2022 for performances including Beethoven’s Eighth Symphony and the final scene of Wagner’s Die Walküre, with guest artists Christine Goerke and Greer Grimsley. The BSO season concludes in June 2022 with Mr. Conlon conducting an orchestra co-commission from Wynton Marsalis, Rachmaninoff’s Rhapsody on a Theme of Paganini with Beatrice Rana, and Shostakovich’s Seventh Symphony (“Leningrad”). As Artistic Advisor, in addition to leading these performances, Mr. Conlon will help ensure the continued artistic quality of the orchestra and fill many duties off the podium, including those related to artistic personnel—such as filling important vacancies and attracting exceptional musicians. The venue is a 21st-century reinterpretation of the traditional “horseshoe” shaped opera house, engineered specifically for opera and musical theatre, with stages equipped for ballet and other types of dance. The Winspear is designed by Foster + Partners under Pritzker prize-winning architect Norman Foster and Deputy Chairman Spencer de Grey. Theater work includes Frankenstein (Olivier and Knight of Illumination awards); Miss Saigon, From Here to Eternity (West End); and productions for the National Theatre, RSC, Old Vic, Royal Court and Barbican.
Design features
Tickets for Margot and Bill Winspear Opera House events purchased via this website are backed by specific protections including 100% ticket authentication and moneyback guarantees. This is all thanks to Ticket Squeeze’s leading ticket authenticity and vetting procedures and their dedication to buyer protection. To guarantee leading ticket purchase protection and benefits, this website partnered with Ticket Squeeze, one of the leading ticket booking programs around.
Festival of Joy
Radiating from all sides, the slatted Sky Canopy provides shade to the Prothro Lobby over three acres of Sammons Park, defining outdoor spaces for visitors to gather. The entrance to the Winspear Opera House features the Annette and Harold Simmons Signature Glass Facade, which ascends 60 feet, creating a seamless visual appearance between the vibrant red glass panels of the McDermott Performance Hall and the surrounding Sammons Park. Radiating from the Winspear Opera House on all sides, the Sky Canopy provides shade to the Simmons Glass Facade over three acres of Sammons Park, defining new outdoor spaces for visitors to gather.
Event & Venue
Winspear’s classical design is well-loved by theatergoers and production companies alike. There, you can watch many dance performances from past seasons, Shen Yun Symphony Orchestra concerts, our original operas, classical Chinese dance technique collections, instructional videos, behind-the-scenesfootage, videoshorts, and much, much more. Bilingual emcee hosts briefly introduce each piece to provide you with helpful background so that you can appreciate the experience more fully. You will be taken on a journey to magnificent eras in Chinese history, as well as to periods from China’s recent past.
Mr. Conlon is an enthusiastic advocate of public scholarship and cultural institutions as forums for the exchange of ideas and inquiry into the role music plays in our shared humanity and civic life. At LA Opera, he leads pre-performance talks, drawing upon musicology, literary studies, history, and social sciences to contemplate—together with his audience—the enduring power and relevance of opera and classical music in general. Additionally, he frequently collaborates with universities, museums, and other cultural institutions, and works with scholars, practitioners, and community members across disciplines. His appearances throughout the country as a speaker on a variety of cultural and educational topics are widely praised. Conlon opens his 18th season at LA Opera conducting Mozart’s Don Giovanni directed by Kasper Holten. He also conducts Verdi’s La Traviata—the first opera he led as Music Director of LA Opera—continuing his multi-season focus on the works of the great Italian composer.
British video designer Luke Halls has produced video designs and animations for a wide variety of music, theater and dance performances. Opera work includes Don Giovanni (Royal Opera House, Covent Garden), Otello (Metropolitan Opera) and Carmen (Bregenz Festival Lake Stage).Theatre work includes West Side Story (Broadway), Ugly Lies The Bone, The Lehman Trilogy (National Theatre) and The Nether (Royal Court). Halls has worked prolifically for music artists, creating video designs and animation for tours by Adele, Beyoncé, Pet Shop Boys, U2 and Rihanna, among others. She developed her deep understanding of the terms of audience engagement through two decades of collaborations in theater, designing The Lehman Trilogy (National Theatre, London; NYC; LA); Hamlet with Benedict Cumberbatch at the Barbican; A Number, Girls and Boys, The Nether (Royal Court); Chimerica, The Hunt (Almeida); Faith Healer (Donmar). Her work in opera includes Don Giovanni, Salome, Les Troyens and Mahagonny at the Royal Opera House, Covent Garden, and Carmen at the Bregenz Festival in Austria.
Perhaps “saving civilization” is a task best practiced close to home, by making a genuine effort to support, appreciate, and understand the messages and meaning of the arts in our own lives. If we can manage to do this, we won’t have to bend over backwards to sell our ideas to others….They’ll sell themselves. Twenty years since Veneer, his uncompromisingly candid, game-changing debut, Jose González celebrates its anniversary with selected US special solo shows. Giovanni hears the voice of the Commendatore, whom he killed, warning Giovanni of impending retribution. The ghost of the Commendatore accepts Don Giovanni’s invitation and arrives to send him to hell. Masetto and his bride, Zerlina, are to be married in a peasant wedding, but Giovanni sets out to seduce Zerlina.
Ancient stories and legends, ethnic and folk traditions, villains and heroes will come to life on stage through classical Chinese dance, live music, and stunning digital backdrops. You can expect an experience like no other, one that not only entertains, but also enriches and inspires. Additional highlights of his season include returning to the Chicago Symphony Orchestra to lead Mendelssohn’s Elijah, and conducting Wagner’s Lohengrin at Deutsche Oper Berlin. He also returns to Switzerland’s Bern Symphony, where he is Principal Guest Conductor, to lead three programs including Schubert and Beethoven symphonies, a celebratory New Years Day concert, and a season finale with Shostakovich’s Symphony No. 5. Since his debut that year with La Traviata, he has conducted 67 different operas and more than 455 performances to date with the company. Your before-the-show experience has never been more delicious with brand new dining options at the Winspear Opera House!
Here's Who Is Coming to Dallas This Weekend: January 25-28 - D Magazine
Here's Who Is Coming to Dallas This Weekend: January 25-28.
Posted: Thu, 25 Jan 2024 08:00:00 GMT [source]
After studying in Shandong and Shanghai, she was a member of the opera studio at the Teatro Comunale di Bologna. Guanqun Yu has worked with conductors such as Zubin Mehta, James Levine, Michele Mariotti and Cornelius Meister. In 2010 she made her debut in Vienna in Honegger’s Jeanne d’Arc under the baton of Bertrand de Billy. Guanqun Yu is also familiar with the French repertoire singing Micaëla in Carmen and Mathilde in Guillaume Tell – a role which brought her a great personal triumph in a new production at Hamburg State Opera. Additional credits include the Israeli Symphony Orchestra, California Philharmonic, Capitol Records, Abbey Road Studios and the soundtrack of the film Rolled.
He has worked on over 70 productions in 9 countries, and served for 3 years as a board member of industry body Stage Directors UK. A former Bayreuth Scholar, Greg has given talks at Regent's University, London and St John's College, Cambridge as well as interviewing, hosting and appearing on panels for the Royal Opera, Covent Garden. He has worked in conservatories and young artist programs in Australia, the United Kingdom, Germany, Italy and the United States.
You can find Shen Yun merchandise in most theater lobbies during intermission as well as before and after the performance. There are about short dance pieces in each performance, which offer variety in terms of both pacing and style. Some pieces feature stories from ancient Chinese history or mythology, others from contemporary China, while still others feature dance styles and costumes from different dynasties, regions, and ethnic groups. The sound of the wind muffled the strains of the lovely Steinway Grand playing inside.